e1Bio: Erykah Abi Wright (February 26, 1971), better known by her stage name Erykah Badu, is an American singer-songwriter, record producer, activist, and actress. Badu’s career began after opening a show for D’Angelo in 1994 in her hometown; record label executive Kedar Massenburg was highly impressed with her performance and signed her to Kedar Entertainment. Her first album, Baduizm, was released on February 11, 1997. It spawned three singles: “On & On”, “Next Lifetime” and “Otherside of the Game”. The album was certified triple Platinum by the Recording Industry Association of America (RIAA). Badu’s first live album, Live, was released on November 18, 1997 and was certified double Platinum by the RIAA.

Badu’s second studio album, Mama’s Gun, was released on October 31, 2000. It spawned three singles: “Bag Lady”, “Didn’t Cha Know?” and “Cleva”. The album was certified Platinum by the RIAA. Badu’s third album, Worldwide Underground, was released on September 16, 2003. It generated two singles: “Danger” and “Back in the Day (Puff)”. The album was certified Gold by the RIAA. Badu’s fourth album, New Amerykah Part One, was released on February 26, 2008. It spawned two singles: “Honey” and “Soldier”.New Amerykah Part Two was released in 2010 and fared well both critically and commercially. It contained the album’s lead single “Window Seat”, which led to controversy.

Musically her work includes elements from R&B, hip hop and jazz. She is best known for her role in the rise of the neo soul subgenre. She is known as the “First Lady of Neo-Soul” or the “Queen of Neo-Soul”. Early in her career, Badu was recognizable for wearing very large and colorful headwraps. For her musical sensibilities, she has often been compared to jazz great Billie Holiday. She was a core member of the Soulquarians. As an actress, she has played a range of supporting roles in movies including Blues Brothers 2000, The Cider House Rules and House of D. She also speaks at length in the documentaries Before the Music Dies and The Black Power Mixtapes.

About The Author

Bianca Alysse is a creatively driven Bronx-born writer and editor. Before becoming The Knockturnal‘s music editor she served as Latina‘s creative coordinator and was a contributor at Billboard. The Boricua scribe has a lengthy resume in the music industry and has penned for Universal Music Publishing Group, Epic Records, G.O.O.D. Music, Compound Entertainment, Artistry & Récords, and Arcade Creative Group. Her work has been seen on platforms like VIBE, mitú, TIDAL, Remezcla, and behind the scenes at New York Fashion Week. As an independent contractor, she has written for Sony Music Entertainment’s global business affairs department, Warner Music Group, and currently Roc Nation.

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